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Or maybe it’s simply Waffle Day in Sweden.
Here’s the story, take it as you will. In the liturgical calendar March 25 – exactly nine calendar months prior the day Christians celebrate the birth of Jesus – is the Feast of the Annunciation. The Annunciation, you recall, is the occasion when the angel Gabriel surprised Mary, telling her that she had been chosen to become the mother of the son of God, to be named Jesus. And Mary assented to God’s plan. That day, in Swedish, is called Vårfrudagen (Our Lady’s Day – the Lady being Mary, mother of God.) But Vårfrudagen sounds enough like Våffeldagen (waffle day) to easily conflate the two, hence the overlap of Waffle Day and Our Lady’s Day in Sweden.
(You can look up the story of the Annunciation in the Gospel of Luke, and you can find the confusion over Våffeldagen and Vårfrudagen in Wikipedia under Waffle Day.)
In the United States, Waffle Day is celebrated on August 24, memorializing that day in August of 1869 when Cornelius Swartwout was awarded the first waffle-iron patent granted by the U.S. Patent Office. If we’re not otherwise occupied, we’ll write a post about waffles when August 24 rolls around.
We’re not going to post an image of a waffle.
But we do like this image of the Annunciation as envisioned by Sandro Botticelli. We like the ballet-like relationship between the angel and Mary, and the delicate space between their hands. We like the way the angel’s gossamer cloak, still billowing, is just settling down under the effect of earthly gravity. In this scene which links heaven and earth, we like the solidity of the red tile floor and the sense of spatial volume induced by those lines of perspective, and we like that distant scene in the deep background.