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Easter – Drama Is Reborn

Three Marys at the Tomb of Jesus

Three Marys at the Tomb of Jesus

Easter, which for Christians marks the resurrection of Jesus, also resurrected theatrical drama. The fall and fragmentation of the Roman empire brought Roman stage plays, and their Greek predecessors, to an end. Theatrical production ceased, fell out of memory, and there were no stage dramas as Europe entered the Middle Ages. There was pageantry, yes, but not theatrical dramas and plays  as we know them today. Much of the Medieval Christian Mass was — in addition to its sacred ritual — an occasion of  pageantry, and the church knew the uses of such displays.

Quem Quaeritis

Quem Quaeritis – Bodleian Library

Sometime in the 10th century, certain Easter services began to incorporate a bit of drama.The plot was simple:On the third day after the crucifixion of Jesus, the three Marys go to the tomb in search of the body of Jesus and find there an angel who asks who they are looking for. (You can see them in the Medieval illustration at the top of this post.) They say they’re looking for Jesus Christ who was crucified. The angel replies that Jesus has risen, as he had foretold he would. Go an announce that he has risen from the grave.

Here in Latin and English are the alternating questions and answers by the angel and the three Marys. The angel speaks first, asking the Marys who they are looking for:

 Quem quaeritis in sepulchro, o Christicolae? Whom do you seek in the grave, o followers of Christ?
Jesum Nazarenum crucifixum, o caelicolae.
Jesus of Nazareth, the crucified, o heavenly one.
Non est hic; surrexit, sicut praedixerat. Ite, nuntiate quia surrexit de sepulchro.  He is not here. He has risen, as he foretold. Go out and   announce that he has risen from the grave.

No one can say whether it began by having a single speaker, a priest or cantor, ask the question “Who do you seek?” and other speaker, or singer, replying, or whether it was a whole chorus. In any case, the little exchange became more elaborate and other crucial turns in the life of Jesus were dramatized. Soon these little plays, or skits, were performed outside the church and eventually scenes from the old testament were added. The dramas were originally intended as lessons from the Bible, but they soon became enjoyable plays that were mounted on wheeled platforms — carts that could be taken from town to town and arranged in a circle so the spectators could move easily from one skit to another. Eventually, the playhouse was born, drama as we know it today was born. It all began at Easter.

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